Wednesday, August 28, 2019

Erin Callahan Blum #9 on the 2019 Covered Bridge Art Studio Tour stop Oct. 11-13th


In Erin’s watercolor paintings, the white is the white of the paper, the colors sometimes are several colors layered over each other, and unusual textures are created using techniques unique to this medium.  She also paints in oils and acrylics. 





For more information, please visit ErinCallahanBlum.com

Laurie Shovers #11 on the 2019 Covered Bridge Art Studio Tour stop Oct. 11-13th


   Laurie’s jewelry consists of shapes and spools that she designs
and has made out of anodized aluminum.
    She then hand beads intricate color seed bead strips
to be sewn onto these spools & shapes. These are then embellished
with other beads, found objects and set stones. 

Colorful, lightweight aluminum, with beautiful hand beading. 
Where industry + art = beautiful alchemy.




For more information, please reach me through email at lshovers@yahoo.com


Monday, August 26, 2019

Monday, August 19, 2019

Barbara Jean McHugh #3 on the 2019 Covered Bridge Art Studio Tour stop Oct. 11-13th


The Scanography that Barbara creates has a whimsical approach to botanical imagery.  Her goal is to convince the viewer that they have wandered into her garden after dark and found the plants dancing. Her other work consists of rusty trucks, tractors, everyday people and vivid landscapes. This is only the tip of the iceberg where her imagery is concerned.





For more information, please email me at cherryarts@att.net


Thursday, August 8, 2019

Pamela Ruschman #36 on the 2019 Covered Bridge Art Studio Tour stop Oct. 11-13th


Pamela Ruschman is an oil painter who grew up on a dairy farm in Southwestern Wisconsin.  The rolling hills, vistas and barns from this area provide continual inspiration.  After spending twelve years in the advertising industry, she decided to pursue the idea of painting full time.  Often, Pamela can be found plein air painting along a quiet country roadside or near a dairy farm capturing the livestock, landscape and beauty of Wisconsin on canvas.  In 2017, Pamela was chosen as the Wisconsin Collection Featured Artist for Milwaukee Public Television.



For more information, please visit me at pamelaruschman.com

Wednesday, August 7, 2019

Lynn Rix #35 on the 2019 Covered Bridge Art Studio Tour stop Oct. 11-13th


I paint because I love the challenge of looking at a familiar scene and simplifying it into shapes, colors and my own vision. I primarily paint “en plein air”.  Painting alla prima, with quick brush work and a limited palette, forces me to work spontaneously. I strive to give the viewer a quick snapshot of that particular moment in time; an impression of an effect of light I felt to be beautiful. I usually work on smaller canvases in order to be able to complete a painting in 2-4 hours capturing the sun before it moves on. I particularly enjoy painting the Wisconsin rural landscape and small towns in all four of our unique seasons: Winters, I am outside bundled up and painting very quickly before the paint turns too gummy.  Spring and Summer when the fields are full of life, the gardens are in full bloom and the warmth of the sun makes me feel alive with the paint brush. An added fun experience is painting while sitting in my little 13’ boat. And in Autumn when Wisconsin dons its coat of bright reds, oranges and yellows.
I began painting in 1995 while living in the south of France. I was physically and emotionally compelled to try to put down on canvas the beauty of the area’s atmosphere, sunlight, buildings and everyday life. It was impossible not to find inspiration in the same region where Matisse, Renoir, Cezanne, van Gogh, and countless others had set up their easels. An inspiration that has sustained me in the pursuit of creating the fresh canvas.



For more information, please visit me at lynnrix.com


Monday, August 5, 2019

Jewel Riano #34 on the 2019 Covered Bridge Art Studio Tour stop Oct. 11-13th


Fine art Printmaking is Jewell’s primary method of artist expression – her inspiration comes from the process itself. She works spontaneously, immersed in creating a design, and leaves detail until last. First, she makes a collagraph, by arranging interesting shapes and textures directly on an inked plate and printing on a large press. The print is then enhanced by added color with stencils, defining composition and design, and finished by rendering with vibrant colored pencils.  





For more information, please email me at rianoje@yahoo.com

Susan Rice #34 on the 2019 Covered Bridge Art Studio Tour stop Oct. 11-13th


Susan’s primary mediums are printmaking and fiber.  She loves the layered process of printmaking and the ordered structure of weaving.  Her work is often focused on nature, geometry, complexity and structure.  Her professional background is in Architecture.